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Journal of the VdGSA - Tables of Contents

Volume Year
I 1964
II 1965
III 1966
IV 1967
V 1968
VI 1969
VII 1970
VIII 1971
IX 1972
X 1973
Volume Year
XI 1974
XII 1975
XIII 1976
XIV 1977
XV 1978
XVI 1979
XVII 1980
XVIII 1981
XIX 1982
XX 1983
Volume Year
XXI 1984
XXII 1985
XXIII 1986
XXIV 1987
XXV 1988
XXVI 1989
XXVII 1990
XXVIII 1991
XXIX 1992
XXX 1993
Volume Year
XXXI 1994
XXXII 1995
XXXIII 1996
XXXIV 1997
XXXV 1998
XXXVI 1999
XXXVII 2000
XXXVIII 2001
XXXIX 2002
XL 2003
Volume Year
XLI 2004
XLII 2005
XLIII 2006
XLIV 2007-8
XLV 2009-10
XLVI 2011
XLVII 2012



Volume 1, 1964 (View)

The Bow in Medieval Music
Karl Neumann | p. 4

A Manuscript Collection of Viola da Gamba Music
Elizabeth Cowling | p. 16

An Inquiry on the Evolution of the Viol
George Glenn | p. 30

Review of Modern Methods for the Viola da Gamba
Wendell Margrave | p. 39

The "Lordly Viol" in the Literature of the English Renaissance
Sara Ruth Watson | p. 51

Building a Viol: Project or Pipe Dream?
Edgar M. Hoover | p. 63

List of Modern Publications for the Viols | p. 70



Volume 2, 1965 (View)

The Renaissance Sources of the Viol
Karl Neumann | p. 5

Trichet's Treatise: A 17th Century Description of the Viols
Tr. Gordon J. Kinney | p. 16

The Viol in France
Peter Farrell | p. 21

New York Pro Musica and the Soviet Union: Personal Observations
Judith Davidoff | p. 30

The Alto Viol
George Glenn | p. 34

Stearns Collection of Musical Instruments
Robert Austin Warner | p. 38

Review of Interpretations of Early Music by Robert Donnington
Wendell Margrave | p. 49

The Breathing House
Charles G. Bell | p. 53

Explanation of the Shape, the Tuning and Use of the Lyra Viol by Marin Mersenne
Tr. Robert Green | p. 54

Catalog of Viol Music | p. 58



Volume 3, 1966 (View)

Marin Marais as Editor of His Own Compositions
Gordon J. Kinney | p. 5

An 18th Century Treatise on the Viol by Etienne Loulie
Albert Cohen | p. 17

Solo and Duet Viol Music by Charles Dolle
John Hsu | p. 24

Musical Instrument Collection of Boston
Narcissa Williamson | p. 26

Slur Marks in Bach's Cello Suites
Karl Neumann | p. 34

Manchester Lyra Viol Tablature (Further information)
Frank Traficante | p. 52

Pardessus de Viol or Chanterelle
Cecile Dolmetsch | p. 56

Review of Instrumental Music Printed before 1600 by Howard Mayer Brown
Neal Bozarth, Jr. | p. 60

Two Old Viols | p. 69

A Viol Discography
Carl N. Helmick, Jr. | p. 73



Volume 4, 1967 (View)

Diego Ortiz' Tratado de Glosas
Tr. Peter Farrell | p. 5

Transcription as an Element in Performance Practice
Efrim Fruchtman | p. 10

Viols and Violins in the Epitome Musical of Philibert Jambe de Fer
Tr. Gordon J. Kinney | p. 14

On Captain Hume's "Wrong" Notes
Karl Neumann | p. 21

George Herbert: Priest, Poet, Musician
Amy M. Charles | p. 27

Nomenclature of the Bowed Instruments by Fritz Ernst
Tr. Virginia M. Hefler | p. 37

A Viol Discography: 1967 Supplement
Carl Helmick | p. 53

Doctoral Dissertation on the Viol
George Bachmann | p. 68



Volume 5, 1968 (View)

Tobias Hume's First Part of Ayres, Chapter 1
William V. Sullivan | p. 5

Music for the Lyra Viols: Printed Sources
Frank Traficante | p. 16

Problems of Melodic Ornamentation in French Viol Music
Gordon J. Kinney 34

Consorts: Whole or Broken
Raymond Vaught | p. 51

Were the Early Violoncello Sonatas Transcriptions
Elizabeth Cowling | p. 56

Portraits of our Members
p. 70

Museum Pages: Two Old Bass Viols
| p. 74

A Viol Discography: 1968 Supplement
Carl Helmick | p. 82

Reviews
| p. 95



Volume 6, 1969 (View)

Putting Simpson into Practice
Sheila Marshall | p. 5

Tobias Hume's First Part of Ayres, Chapter II
William V. Sullivan | p. 13

The First Viol Tutor: Hans Gerle's Musica Teutsch
Alexander Silbiger | p. 34

Up with the Trill!
Robert Donnington | p. 49

The Crwth
Cecile Dolmetsch | p. 54

Portraits of our Members | p. 60

Museum Pages: Two Old Bass Viols | p. 68

Reviews | p. 75



Volume 7, 1970 (View)

Jean Rousseau on the Mechanics of Viol Playing
Tr. Karl Neumann | p. 5

History and Literature of the Viola d'Amore
Rose-Marie Johnson | p. 13

Case for the Use of Vibrate on the Viol
Gordon J. Kinney | p. 52

Bowed String Instruments of the Basso Continuo ca. 1680-1752 inItaly and France
Henry Burnett | p. 65

Tobias Hume's First Part of Ayres, Chapter III
William V. Sullivan | p. 92

Portraits of our Members | p. 112

Museum Pages: A Gavinie Pardessus Viole | p. 116

Review of Working Plans for a Bass Viol | p. 120



Volume 8, 1971 (View)

Maugar's Response Faite a un Curieux sur la Sentiment de la
Tr. Walter H. Bishop | p. 5

Musique d'Italie Reverberations on the Use of Vibrato on the Viol
Paul Furnas | p. 18

Bowed String Instruments of the Basso Continuo (continued)
Henry Burnett | p. 29

Tobias Hume's First Part of Ayres, Chapter III (continued)
William V. Sullivan | p. 64

In Memoriam: George Glenn | p. 94

Viol Discography: Supplement
Carl Helmick | p. 96



Volume 9, 1972 (View)

Tenor I or Alto? Some thoughts on Instrumentation of the Consort of Viols
Marco Pallas | p. 5

Tobias Hume's First Part of Ayres, Chapter IV: Summary and Conclusions
William V. Sullivan | p. 16

A Comparison of The Cries of London by Gibbons and Weelkes
Rose-Marie Johnson | p. 38

Portraits of Our Members | p. 55

Reviews | p. 59



Volume 10, 1973 (View)

Karl Friedrich Abel: Some Contemporary Impressions
Sarah Joiner Wynn | p. 5

Hubert Le Blanc's Defense de la viole
Tr. Barbara G. Jackson | p. 11

Henry Blakiston Who? Or some Early Instruments at the Library of Congress
Frank Traficante | p. 29

Traditions of Solo Viol Playing in France and the Music of Morel
Mary Cyr | p. 81

Diego Ortiz's Principles of Ornamentation for the viol: Tratado di glosas
Julia Ann Griffin | p. 88

Portraits of Our Members | p. 97

Correspondence | p. 98



Volume 11, 1974 (View)

The Viol in Baroque Paintings and Drawings
Mary Cyr | p. 5

Hubert Le Blanc's Defense de la viole (continued)
Tr. Barbara G. Jackson | p. 17

Antique Viols and Related Instruments from the Caldwell Collection
James Caldwell | p. 60

Fray Juan Bermudo's Methods of Measuring Frets
Gordon J. Kinney | p. 90

Captain Hume's Invention for Two to Play Upon One Viole
Karl Neumann | p. 102



Volume 12, 1975 (View)

Solo Music for the Treble Viol
Mary Cyr | p. 5

Commentary on Le Blanc's Defense de la viole
Barbara G. Jackson | p. 14

An Essay in Consort Intrepretation
Gordon Dodd | p. 37

Danoville's Treatise on Viol Playing
Tr. Gordon J. Kinney | p. 45

Abraham Prescott and his Bass Viols
Samuel R. Ogden | p. 73

An Interview with August Wenzinger
Marjorie Bram | p. 77



Volume 13, 1976 (View)

Consort Song and Verse Anthem: A Few Performance Problems
Craig Monson | p. 4

A Letter from J.B.A. Forqueray
Tr. John Rutledge | p. 12

Writings on the Viol by Dubuisson, DeMachy, Roland Marais and Etienne Loulie
Tr. Gordon J. Kinney | p. 17

The Well-Fingered Viol
Sheila Marshall | p. 56

Reviews | p. 62

Correspondence | p. 66



Volume 14, 1977 (View)

Jean Rousseau and Ornamentation in French Viol Music
Robert A. Green | p. 4

A "Tempest in a Glass of Water" or a Conflict of Esthetic Attitudes
Gordon J. Kinney | p. 42

Bows and Bowing
Nathalie Dolmetsch | p. 53

Silvestro Ganassi's Regola Rubertina: Revelations and Questions
Richard D. Bodig | p. 61

Reviews | p. 71

Correspondence | p. 75



Volume 15, 1978 (View)

Viola in Seventeen-Century Flemish Paintings: The Iconography of Music, Indoors and Out
Richard D. Leppert | p. 5

Monteclair, the Viol Player's Composer
Julie Anne Sadie | p. 41

Antique Bowed Instruments in the Dolmetsch Collection
Nathalie Dolmetsch | p. 51

Violin Versus Viol in English Fantasia-Suites
Jane T. Johnson | p. 88

Change and Tradition in the Early In Nomine
Robert W. Weidner | p. 102

Reviews | p. 113



Volume 16, 1979 (View)

On the Use of Slurs in Enlish Viol Music
Peter Farrell | p. 5

Possibilities for Mean-Tone Temperament Playing on Viols
Frederick K. Gable | p. 22

Music for the Dessus and Pardessus de Violes, Published in France, ca. 1650-1770
Adrian Rose | p. 40

Viol Bibliography
John Rutledge | p. 47

Reviews | p. 72



Volume 17, 1980 (View)

Telemann's Use of the Viol as a Solo or Concertant Instrument
Gordon J. Kinney | p. 5

Hubert Le Blanc's Concept of Viol Sound
John Rutledge | p. 28

Saraband: Speed, Steps, and Stress
Ellen TeSelle Boal | p. 38

The Lyra Viol in Consort: An Example from Uppsala, Universitetsbiblioteket Imhs 4:3
Ila H. Stoltzfus | p. 47

The Decline of the Viol in the Seventeeth-Century England: Some Observations
Patricia Olds | p. 60

Reviews | p. 70

Contributor Profiles | p. 87



Volume 18, 1981 (View)

Eloise Glenn Lowry | p. 5

In Memoriam: Gordon J. Kinney
Rey M. Longyear | p. 6

Ganassi's Regola Rubertina
Tr. Richard D. Bodig | p. 13

Charles Dolle's First Work for Pardessus de Viole
Robert A. Green | p. 67

The French Viol School before 1650
Michel Sicard | p. 76

The Music of Johann Schenck: Some Observations
Stephen Luttmann | p. 97

Reviews | p. 121

Contributor Profiles | p. 128



Volume 19, 1982 (View)

The Musical Circle of Anthony Wood in Oxford Dancing the Commonwealth and Restoration
Bruce Bellingham | p. 6

Rebec in French Literary Sources from 1379 to 1780
Margaret Anne Downie | p. 71

Ganassi's Regola Rubertina (conclusion)
Tr. Richard D. Bodig | p. 99

Tribute to Karl Neumann | p. 164

Contributor Profiles | p. 167



Volume 20, 1983 (View)

On Letting the Music Speak for Itself: Some Reflections on Musicology and Performance
Richard Taruskin | p. 6

Purcell's Clock Tempos and the Fantasias
Ellen TeSelle Boal | p. 24

A Translation of the Preface to Terpsichore of Michael Praetorius
Bruce R. Carvell | p. 40

Grounds for Putting Simpson into Practice
Gordon Dodd | p. 60

Reviews | p. 68

Contributor Profiles | p. 81



Volume 21, 1984 (View)

North Italian Viols at the Shrine to Music Musuem
Margart Downie Banks | p. 7

Sir Peter Leycester's Book on Music
Hermione Abbey | p. 28

Henry Butler and the Early Viol Sonata
Elizabeth Phillips | p. 45

Christopher Simpson's Little Consort
Ila Stoltzfus | p. 53

Dudley Ryer 1715-1716: Extracts from the Diary of a Student Viol Player
Ian Woodfield | p. 64

Reviews | p. 69

Contributors | p. 75



Volume 22, 1985 (View)

In Memoriam: Oliver Wendell Margrave
John Vickrey | p. 7

New Sources for the Study of Portuguese Seventeenth-Century Consort Music
Rui Vieria Nery | p. 9

The Lyffe and Times of a Viole Composer (Late 20th c.)
David Loeb | p. 29

Per Norgard's Works for Early Music Ensemble
Jean Christensen | p. 35

The French Viol School: The Repertory from 1650 to Saint-Colombe (about 1680)
Michel Sicard | p. 42

Reviews | p. 56

Contributor Profiles | p. 69



Volume 23, 1986 (View)

Lyra Viol Accompaniment in Robert Jone's Second Booke of Songs and Ayres (1601)
Deborah Teplow | p. 6

Paul de wit: Reviver of the Viols
John Rutledge | p. 19

Catalog of the European Musical Instruments n the Ueno Gakuen Collection
Nobuko Uchino | p. 27

John Ward of Canterbury
Robert Ford | p. 51

The Treble Viol in 17th-century France and the Origins of the Pardessus de Viole
Robert Green | p. 64

A Composer Index for Gordon Dodd's Thematic Index
Gordon Sandford | p. 72

German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 1-13
Tr. Richard D. Bodig | p. 81

Reviews | p. 93

Contributor Profiles | p. 117



Volume 24, 1987 (View)

Leo M. Traynor
Newton Blakeslee | p. 6

Aethestics of the French Solo Viol Repertory, 1650-1680
Donald Beecher | p. 10

Rhetoric and Eloquence: Dramatic Expression in Marin Marais' Pieces de viole
Deborah Teplow | p. 22

German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 13-23
Tr. Richard D. Bodig | p. 51

Reviews | p. 65

Contributor Profiles | p. 70



Volume 25, 1988 (View)

The American Society of Ancient Instruments
Joan M. Meixell | p. 6

German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 29-52
Tr. Richard D. Bodig | p. 29

Recent Research on the Viol
Ian Woodfield | p. 53

Reviews | p. 57

Contributor Profiles | p. 65



Volume 26, 1989 (View)

German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 44-59
Tr. Richard D. Bodig | p. 7

Recent Research on the Viol
Ian Woodfield | p. 83

Reviews | p. 87

Contributor Profiles | p. 109



Volume 27, 1990 (View)

A Summary of Dubuisson's Life and Sources
Stuart Cheney | p. 7

New Documents on the Sixteenth-Century Venetian Viol Maker
Giulio M. Ongaro | p. 22

Catalogue of the European Musical Instruments in the Ueno Gakuen Collection
Nobuko Uchino | p. 29

Recent Research on the Viol
Ian Woodfield | p. 40

Reviews | p. 43

New Grove Index for Viol Players | p. 55

Contributor Profiles | p. 77



Volume 28, 1991 (View)

Giovanni Valentini's In te Domine speravi and the Demise of the Viola Bastarda
Steven Saunders | p. 1

The Fretless Approach to Gamba Playing
John Rutledge | p. 21

Recent Research on the Viol
Ian Woodfield | p. 49

Reviews | p. 53

Contributor Profiles | p. 69



Volume 29, 1992 (View)

Martin Peerson's Private Musicke
Julia J. Heydon | p. 1

German Literature for Viola da Gamba in the 16th and 17th Centuries: Annotations by Alfred Einstein | p. 27

Recent Research on the Viol
Ian Woodfield | p. 65

Reviews | p. 68

Contributor Profiles | p. 78



Volume 30, 1993 (View)

A Tribute to Howard Brown
Ian Woodfield | p. 1

A Selective Bibliography on Howard Mayer Brown's Books and Articles Pertaining to the Viol
Caroline Cunningham | p. 3

A History of the Viola da Gamba Society of America: Background and Founding
Phyllis E. Olson | p. 5

On Playing Continuo
Martha Bishop | p. 42

Ann Ford: An Eighteenth-Century Portrait
Judith Davidoff | p. 51

Recent Research on the Viol
Ian Woodfield | p. 67

Reviews | p. 70

Contributor Profiles| p. 74



Volume 31, 1994 (View)

Tempo Indications in Purcell's Fantasias and Sonatas: A Performer's
Ellen TeSelle Boal | p. 9

Guide to New and Conflicting Signatures

A History of the Viola da Gamba of America, Part III: A Banner Year
Phyllis E. Olson | p. 25

The Making of an Amati Viol
Burritt Miller | p. 44

Finding out the True Identity of the Castagneri Viol: A Detective Story
Myrna Herzog | p. 60

Thomas Morley's Fantasia, Il Doloroso: An Analysis
Gordon Sandford | p. 74

Recent Research on the Viol
Ian Woodfield | p. 81

Reviews | p. 84

Contributor Profiles | p. 101



Volume 32, 1995 (View)

Donald Warnock: Interviews and Reminiscences
Kathy Benforado | p. 8

Where Were the Women before 1800?
Patrice Connelly | p. 34

Recent Research on the Viol
Ian Woodfield | p. 41

Conference Reports: The Fantasia in England from Alfonso Ferrabosco II to Henry Purcell
Ruby Reid Thompson | p. 44

Two French Colloques devoted to the Viol
Stuart Cheney | p. 50

Reviews | p. 58

Corrigenda | p. 84

Contributor Profiles | p. 86



Volume 33, 1996 (View)

A Tribute to Elizabeth Cowling
Martha Bishop | p. 10

The Use of Motivic and Thematic Material in the Music of Tobias Hume
Sterling Scott Jones | p. 15

The Viol in Bach's Passions: A Performer's Notes
Myrna Herzog | p. 30

Gender, Class, and Eighteenth-Century French Music: Barthelmy de Caix's Six Sonatas for Two Unaccompanied Pardessus de Viole, Part I
Tina Chancey | p. 47

Recent Research on the Viol
Ian Woodfield | p. 79

Reviews | p. 82

Contributor Profiles | p. 94



Volume 34, 1997 (View)

Interview with Sydney Beck
Alison Fowle | p. 5

Gender, Class, and Eighteenth-Century French Music: Barthelmy de Caix's Six Sonatas for Two Unaccompanied Pardessus de Viole, Part II
Tina Chancey | p. 16

Ornamentation in English Lyra Viol Music, Part I: Slurs, Juts, Thumps, and Other "Graces" for the bow
Mary Cyr | p. 48

The Archetype of Johann Sebastian Bach's Chorale Setting Nun Komm, der Heiden Heiland (BWV 660): A Composition with Viola da Gamba?
R. Bruggaier, tr. Roland Hutchinson | p. 67

Recent Research on the Viol
Ian Woodfield | p. 75

Reviews | p. 77

Contributor Profiles | p. 103



Volume 35, 1998 (View)

An Interview with Dick Bodig
Phyllis Olson | p. 6

Ornamentation in English Lyra Viol Music, Part II: Shakes, Relishes, Falls, and Other "Graces" for the Left Hand
Mary Cyr | p. 16

Ludwig Christian Hesse and the Berlin Virtuoso Style
Michael O'Loghlin | p. 35

Recent Research on the Viol
Ian Woodfield | p. 74

Reviews | p. 76

Contributor Profiles | p. 92



Volume 36, 1999 (View)

The Groundbreaking Treatise of Christopher Simpson
Ted Conner | p. 5

The Early History and use of the G Violone
Joëlle Morton | p. 40

Recent Research on the Viol
Ian Woodfield | p. 67

Reviews | p. 69

Contributor Profiles | p. 95



Volume 37, 2000 (View)

Re-examining the Pardessus de Viole and its Literature, Part I: Introduction and Methods
Richard Sutcliffe | p. 5

Viols in Japan in the Sixteenth and Early Seventeenth Centuries
Yukimi Kambe | p. 31

Research Report: Conferences in Magnano and Edinburgh
Thomas G. MacCracken | p. 68

Recent Research on the Viol
Ian Woodfield | p. 84

Correspondence | p. 90

Contributor Profiles | p. 93



Volume 38, 2001 (View)

The Sizes and Tunings of Early Viols: Some Questions (and a Few Answers)
Herbert W. Myers | p. 5

Re-examining the Pardessus de Viole and its Literature, Part II: Repertoire from 1722 to c. 1790
Richard Sutcliffe | p. 27

Recent Research on the Viol
Ian Woodfield | p. 78

Reviews | p. 81

Contributor Profiles | p. 98



Volume 39, 2002 (View)

Musical-Rhetorical Gestures in the Fantasias of Henry Purcell
Ted Conner | p. 5

Between Fantazy and Aire: The "Active Braine" of William Lawes
Mark Davenport | p. 49

Research Report: Double Bass Session at the IMS Conference in Leuven, Belgium
Marc Vanscheeuwijck | p. 76

Recent Research on the Viol
Ian Woodfield | p. 83

Reviews | p. 85

Correspondence | p. 106

Contributor Profiles | p. 113



Volume 40, 2003 (View)

Is the Quinton a Viol? A Puzzle Unraveled
Myrna Herzog | p. 5

The Richard Meares Viol in the Metropolitan Museum of Art Re-evaluated
Benjamin Hebbert | p. 36

Recent Research on the Viol
Ian Woodfield | p. 49

Reviews | p. 51

Correspondence | p. 75

Contributor Profiles | p. 80



Volume 41, 2004 (View)

William Young's Fantasias a3, by Another Name, Still Sound as Sweet
Stephen Morris | p. 5

Harmonic Excursions in the English Early-Seventeenth-Century Four-part Fantasias of Alfonso Ferrabosco the Younger
Bruce Bellingham | p. 36

Recent Research on the Viol
Ian Woodfield | p. 66

Reviews | p. 69

Contributor Profiles | p. 92



Volume 42, 2005 (View)

Samuel Pepys and the Viol
Martha Davidson | p. 5

Structural Ornaments: Transcending Binaries in Elizabethan and Jacobean Music
Ted Conner | p. 19

Recent Research on the Viol
Ian Woodfield | p. 76

Reviews | p. 80

Contributor Profiles | p. 99



Volume 43, 2006 (View)

Forqueray Pieces de Viole (1747): A Rich Source of Mid-Eighteenth-Century French String Technique
Lucy Robinson | p. 5

"Let Them Be Lusty, Smart-Speaking Viols": William Lawes and the Lyra Viol Trio
John Cunningham | p. 32

Recent Research on the Viol
Ian Woodfield | p. 69

Reviews | p. 72

Contributor Profiles | p. 88



Volume 44, 2007-8 (View)

A Portrait of the Musician Marin Marais by Jean Dieu dit Saint-Jean in the Museum in the Chateau of Blois, trans. Robert A. Green
Jonathan Dunford | p. 5

Renaissance Viol Tunings: A Reconsideration
Herbert W. Myers | p. 13

Recent Research on the Viol
Ian Woodfield | p. 41

Reviews | p. 45

Contributor Profiles | p. 57



Volume 45, 2009-10 (View)

Toronto's Hart House Viols
Joëlle Morton | p. 5

Twin Viols: Evidence for Serial Production in the Workshop of Nicolas Bertrand
Thomas Fitz-Hugh Mace | p. 77

Recent Research on the Viol
Ian Woodfield | p. 122

Reviews | p. 125

Contributor Profiles | p. 135



Volume 46, 2011 (View)

Pastime with Good Company: Music in the Making of Magnificence at the Court of Henry VIII, 1509-47
Natasha Roule | p. 5

Conrad Höffler: Chamber Musician and Violist da Gamba at the Court of Duke Johann Adolph I of Saxe-Weissenfels—Thomas Fritzsch
trans. Christine Kyprianides | p. 21

Research Report: Viol Symposium at Kloster Michaelstein
Thomas G. MacCracken | p. 37

Recent Research on the Viol
Ian Woodfield | p. 46

Reviews | p. 49

Contributor Profiles | p. 72



Volume 47, 2012 (View)

The Origin of the Kokyū
Yukimi Kambe | p. 5

Michel Collichon and the Origins of the Pardessus de Viole
Thomas Fitz-Hugh Mace | p. 42

A Question of Wood: Michel Collichon's 1683 Seven-String Viol
Shem Mackey | p. 84

Recent Research on the Viol
Ian Woodfield | p. 99

Review | p. 102

Contributor Profiles | p. 111