Journal of the VdGSA - Tables of Contents
Volumes with (*) are available on-line.
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Volume 1, 1964 (View)
The Bow in Medieval Music
Karl Neumann | p. 4
A Manuscript Collection of Viola da Gamba Music
Elizabeth Cowling | p. 16
An Inquiry on the Evolution of the Viol
George Glenn | p. 30
Review of Modern Methods for the Viola da Gamba
Wendell Margrave | p. 39
The "Lordly Viol" in the Literature of the English Renaissance
Sara Ruth Watson | p. 51
Building a Viol: Project or Pipe Dream?
Edgar M. Hoover | p. 63
List of Modern Publications for the Viols | p. 70
Volume 2, 1965 (View)
The Renaissance Sources of the Viol
Karl Neumann | p. 5
Trichet's Treatise: A 17th Century Description of the Viols
Tr. Gordon J. Kinney | p. 16
The Viol in France
Peter Farrell | p. 21
New York Pro Musica and the Soviet Union: Personal Observations
Judith Davidoff | p. 30
The Alto Viol
George Glenn | p. 34
Stearns Collection of Musical Instruments
Robert Austin Warner | p. 38
Review of Interpretations of Early Music by Robert Donnington
Wendell Margrave | p. 49
The Breathing House
Charles G. Bell | p. 53
Explanation of the Shape, the Tuning and Use of the Lyra Viol by Marin
Mersenne
Tr. Robert Green | p. 54
Catalog of Viol Music | p. 58
Volume 3, 1966 (View)
Marin Marais as Editor of His Own Compositions
Gordon J. Kinney | p. 5
An 18th Century Treatise on the Viol by Etienne Loulie
Albert Cohen | p. 17
Solo and Duet Viol Music by Charles Dolle
John Hsu | p. 24
Musical Instrument Collection of Boston
Narcissa Williamson | p. 26
Slur Marks in Bach's Cello Suites
Karl Neumann | p. 34
Manchester Lyra Viol Tablature (Further information)
Frank Traficante | p. 52
Pardessus de Viol or Chanterelle
Cecile Dolmetsch | p. 56
Review of Instrumental Music Printed before 1600 by Howard Mayer Brown
Neal Bozarth, Jr. | p. 60
Two Old Viols | p. 69
A Viol Discography
Carl N. Helmick, Jr. | p. 73
Volume 4, 1967 (View)
Diego Ortiz' Tratado de Glosas
Tr. Peter Farrell | p. 5
Transcription as an Element in Performance Practice
Efrim Fruchtman | p. 10
Viols and Violins in the Epitome Musical of Philibert Jambe de Fer
Tr. Gordon J. Kinney | p. 14
On Captain Hume's "Wrong" Notes
Karl Neumann | p. 21
George Herbert: Priest, Poet, Musician
Amy M. Charles | p. 27
Nomenclature of the Bowed Instruments by Fritz Ernst
Tr. Virginia M. Hefler | p. 37
A Viol Discography: 1967 Supplement
Carl Helmick | p. 53
Doctoral Dissertation on the Viol
George Bachmann | p. 68
Volume 5, 1968 (View)
Tobias Hume's First Part of Ayres, Chapter 1
William V. Sullivan | p. 5
Music for the Lyra Viols: Printed Sources
Frank Traficante | p. 16
Problems of Melodic Ornamentation in French Viol Music
Gordon J. Kinney 34
Consorts: Whole or Broken
Raymond Vaught | p. 51
Were the Early Violoncello Sonatas Transcriptions
Elizabeth Cowling | p. 56
Portraits of our Members
p. 70
Museum Pages: Two Old Bass Viols
| p. 74
A Viol Discography: 1968 Supplement
Carl Helmick | p. 82
Reviews
| p. 95
Volume 6, 1969 (View)
Putting Simpson into Practice
Sheila Marshall | p. 5
Tobias Hume's First Part of Ayres, Chapter II
William V. Sullivan | p. 13
The First Viol Tutor: Hans Gerle's Musica Teutsch
Alexander Silbiger | p. 34
Up with the Trill!
Robert Donnington | p. 49
The Crwth
Cecile Dolmetsch | p. 54
Portraits of our Members | p. 60
Museum Pages: Two Old Bass Viols | p. 68
Reviews | p. 75
Volume 7, 1970 (View)
Jean Rousseau on the Mechanics of Viol Playing
Tr. Karl Neumann | p. 5
History and Literature of the Viola d'Amore
Rose-Marie Johnson | p. 13
Case for the Use of Vibrate on the Viol
Gordon J. Kinney | p. 52
Bowed String Instruments of the Basso Continuo ca. 1680-1752 inItaly and France
Henry Burnett | p. 65
Tobias Hume's First Part of Ayres, Chapter III
William V. Sullivan | p. 92
Portraits of our Members | p. 112
Museum Pages: A Gavinie Pardessus Viole | p. 116
Review of Working Plans for a Bass Viol | p. 120
Volume 8, 1971 (View)
Maugar's Response Faite a un Curieux sur la Sentiment de la
Tr. Walter H. Bishop | p. 5
Musique d'Italie Reverberations on the Use of Vibrato on the Viol
Paul Furnas | p. 18
Bowed String Instruments of the Basso Continuo (continued)
Henry Burnett | p. 29
Tobias Hume's First Part of Ayres, Chapter III (continued)
William V. Sullivan | p. 64
In Memoriam: George Glenn | p. 94
Viol Discography: Supplement
Carl Helmick | p. 96
Volume 9, 1972 (View)
Tenor I or Alto? Some thoughts on Instrumentation of the Consort of Viols
Marco Pallas | p. 5
Tobias Hume's First Part of Ayres, Chapter IV: Summary and Conclusions
William V. Sullivan | p. 16
A Comparison of The Cries of London by Gibbons and Weelkes
Rose-Marie Johnson | p. 38
Portraits of Our Members | p. 55
Reviews | p. 59
Volume 10, 1973 (View)
Karl Friedrich Abel: Some Contemporary Impressions
Sarah Joiner Wynn | p. 5
Hubert Le Blanc's Defense de la viole
Tr. Barbara G. Jackson | p. 11
Henry Blakiston Who? Or some Early Instruments at the Library of Congress
Frank Traficante | p. 29
Traditions of Solo Viol Playing in France and the Music of Morel
Mary Cyr | p. 81
Diego Ortiz's Principles of Ornamentation for the viol: Tratado di glosas
Julia Ann Griffin | p. 88
Portraits of Our Members | p. 97
Correspondence | p. 98
Volume 11, 1974 (View)
The Viol in Baroque Paintings and Drawings
Mary Cyr | p. 5
Hubert Le Blanc's Defense de la viole (continued)
Tr. Barbara G. Jackson | p. 17
Antique Viols and Related Instruments from the Caldwell Collection
James Caldwell | p. 60
Fray Juan Bermudo's Methods of Measuring Frets
Gordon J. Kinney | p. 90
Captain Hume's Invention for Two to Play Upon One Viole
Karl Neumann | p. 102
Volume 12, 1975 (View)
Solo Music for the Treble Viol
Mary Cyr | p. 5
Commentary on Le Blanc's Defense de la viole
Barbara G. Jackson | p. 14
An Essay in Consort Intrepretation
Gordon Dodd | p. 37
Danoville's Treatise on Viol Playing
Tr. Gordon J. Kinney | p. 45
Abraham Prescott and his Bass Viols
Samuel R. Ogden | p. 73
An Interview with August Wenzinger
Marjorie Bram | p. 77
Volume 13, 1976 (View)
Consort Song and Verse Anthem: A Few Performance Problems
Craig Monson | p. 4
A Letter from J.B.A. Forqueray
Tr. John Rutledge | p. 12
Writings on the Viol by Dubuisson, DeMachy, Roland Marais and Etienne Loulie
Tr. Gordon J. Kinney | p. 17
The Well-Fingered Viol
Sheila Marshall | p. 56
Reviews | p. 62
Correspondence | p. 66
Volume 14, 1977 (View)
Jean Rousseau and Ornamentation in French Viol Music
Robert A. Green | p. 4
A "Tempest in a Glass of Water" or a Conflict of Esthetic Attitudes
Gordon J. Kinney | p. 42
Bows and Bowing
Nathalie Dolmetsch | p. 53
Silvestro Ganassi's Regola Rubertina: Revelations and Questions
Richard D. Bodig | p. 61
Reviews | p. 71
Correspondence | p. 75
Volume 15, 1978 (View)
Viola in Seventeen-Century Flemish Paintings: The Iconography of Music, Indoors and Out
Richard D. Leppert | p. 5
Monteclair, the Viol Player's Composer
Julie Anne Sadie | p. 41
Antique Bowed Instruments in the Dolmetsch Collection
Nathalie Dolmetsch | p. 51
Violin Versus Viol in English Fantasia-Suites
Jane T. Johnson | p. 88
Change and Tradition in the Early In Nomine
Robert W. Weidner | p. 102
Reviews | p. 113
Volume 16, 1979 (View)
On the Use of Slurs in Enlish Viol Music
Peter Farrell | p. 5
Possibilities for Mean-Tone Temperament Playing on Viols
Frederick K. Gable | p. 22
Music for the Dessus and Pardessus de Violes, Published in France, ca. 1650-1770
Adrian Rose | p. 40
Viol Bibliography
John Rutledge | p. 47
Reviews | p. 72
Volume 17, 1980 (View)
Telemann's Use of the Viol as a Solo or Concertant Instrument
Gordon J. Kinney | p. 5
Hubert Le Blanc's Concept of Viol Sound
John Rutledge | p. 28
Saraband: Speed, Steps, and Stress
Ellen TeSelle Boal | p. 38
The Lyra Viol in Consort: An Example from Uppsala, Universitetsbiblioteket Imhs 4:3
Ila H. Stoltzfus | p. 47
The Decline of the Viol in the Seventeeth-Century England: Some Observations
Patricia Olds | p. 60
Reviews | p. 70
Contributor Profiles | p. 87
Volume 18, 1981 (View)
Eloise Glenn Lowry | p. 5
In Memoriam: Gordon J. Kinney
Rey M. Longyear | p. 6
Ganassi's Regola Rubertina
Tr. Richard D. Bodig | p. 13
Charles Dolle's First Work for Pardessus de Viole
Robert A. Green | p. 67
The French Viol School before 1650
Michel Sicard | p. 76
The Music of Johann Schenck: Some Observations
Stephen Luttmann | p. 97
Reviews | p. 121
Contributor Profiles | p. 128
Volume 19, 1982 (View)
The Musical Circle of Anthony Wood in Oxford Dancing the Commonwealth and Restoration
Bruce Bellingham | p. 6
Rebec in French Literary Sources from 1379 to 1780
Margaret Anne Downie | p. 71
Ganassi's Regola Rubertina (conclusion)
Tr. Richard D. Bodig | p. 99
Tribute to Karl Neumann | p. 164
Contributor Profiles | p. 167
Volume 20, 1983 (View)
On Letting the Music Speak for Itself: Some Reflections on Musicology and Performance
Richard Taruskin | p. 6
Purcell's Clock Tempos and the Fantasias
Ellen TeSelle Boal | p. 24
A Translation of the Preface to Terpsichore of Michael Praetorius
Bruce R. Carvell | p. 40
Grounds for Putting Simpson into Practice
Gordon Dodd | p. 60
Reviews | p. 68
Contributor Profiles | p. 81
Volume 21, 1984 (View)
North Italian Viols at the Shrine to Music Musuem
Margart Downie Banks | p. 7
Sir Peter Leycester's Book on Music
Hermione Abbey | p. 28
Henry Butler and the Early Viol Sonata
Elizabeth Phillips | p. 45
Christopher Simpson's Little Consort
Ila Stoltzfus | p. 53
Dudley Ryer 1715-1716: Extracts from the Diary of a Student Viol Player
Ian Woodfield | p. 64
Reviews | p. 69
Contributors | p. 75
Volume 22, 1985 (View)
In Memoriam: Oliver Wendell Margrave
John Vickrey | p. 7
New Sources for the Study of Portuguese Seventeenth-Century Consort Music
Rui Vieria Nery | p. 9
The Lyffe and Times of a Viole Composer (Late 20th c.)
David Loeb | p. 29
Per Norgard's Works for Early Music Ensemble
Jean Christensen | p. 35
The French Viol School: The Repertory from 1650 to Saint-Colombe (about 1680)
Michel Sicard | p. 42
Reviews | p. 56
Contributor Profiles | p. 69
Volume 23, 1986 (View)
Lyra Viol Accompaniment in Robert Jone's Second Booke of Songs and Ayres (1601)
Deborah Teplow | p. 6
Paul de wit: Reviver of the Viols
John Rutledge | p. 19
Catalog of the European Musical Instruments n the Ueno Gakuen Collection
Nobuko Uchino | p. 27
John Ward of Canterbury
Robert Ford | p. 51
The Treble Viol in 17th-century France and the Origins of the Pardessus de Viole
Robert Green | p. 64
A Composer Index for Gordon Dodd's Thematic Index
Gordon Sandford | p. 72
German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 1-13
Tr. Richard D. Bodig | p. 81
Reviews | p. 93
Contributor Profiles | p. 117
Volume 24, 1987 (View)
Leo M. Traynor
Newton Blakeslee | p. 6
Aethestics of the French Solo Viol Repertory, 1650-1680
Donald Beecher | p. 10
Rhetoric and Eloquence: Dramatic Expression in Marin Marais' Pieces de viole
Deborah Teplow | p. 22
German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 13-23
Tr. Richard D. Bodig | p. 51
Reviews | p. 65
Contributor Profiles | p. 70
Volume 25, 1988 (View)
The American Society of Ancient Instruments
Joan M. Meixell | p. 6
German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 29-52
Tr. Richard D. Bodig | p. 29
Recent Research on the Viol
Ian Woodfield | p. 53
Reviews | p. 57
Contributor Profiles | p. 65
Volume 26, 1989 (View)
German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 44-59
Tr. Richard D. Bodig | p. 7
Recent Research on the Viol
Ian Woodfield | p. 83
Reviews | p. 87
Contributor Profiles | p. 109
Volume 27, 1990 (View)
A Summary of Dubuisson's Life and Sources
Stuart Cheney | p. 7
New Documents on the Sixteenth-Century Venetian Viol Maker
Giulio M. Ongaro | p. 22
Catalogue of the European Musical Instruments in the Ueno Gakuen Collection
Nobuko Uchino | p. 29
Recent Research on the Viol
Ian Woodfield | p. 40
Reviews | p. 43
New Grove Index for Viol Players | p. 55
Contributor Profiles | p. 77
Volume 28, 1991 (View)
Giovanni Valentini's In te Domine speravi and the Demise of the Viola Bastarda
Steven Saunders | p. 1
The Fretless Approach to Gamba Playing
John Rutledge | p. 21
Recent Research on the Viol
Ian Woodfield | p. 49
Reviews | p. 53
Contributor Profiles | p. 69
Volume 29, 1992 (View)
Martin Peerson's Private Musicke
Julia J. Heydon | p. 1
German Literature for Viola da Gamba in the 16th and 17th Centuries: Annotations by Alfred Einstein | p. 27
Recent Research on the Viol
Ian Woodfield | p. 65
Reviews | p. 68
Contributor Profiles | p. 78
Volume 30, 1993 (View)
A Tribute to Howard Brown
Ian Woodfield | p. 1
A Selective Bibliography on Howard Mayer Brown's Books and Articles Pertaining to the Viol
Caroline Cunningham | p. 3
A History of the Viola da Gamba Society of America: Background and Founding
Phyllis E. Olson | p. 5
On Playing Continuo
Martha Bishop | p. 42
Ann Ford: An Eighteenth-Century Portrait
Judith Davidoff | p. 51
Recent Research on the Viol
Ian Woodfield | p. 67
Reviews | p. 70
Contributor Profiles| p. 74
Volume 31, 1994 (View)
Tempo Indications in Purcell's Fantasias and Sonatas: A Performer's
Ellen TeSelle Boal | p. 9
Guide to New and Conflicting Signatures
A History of the Viola da Gamba of America, Part III: A Banner Year
Phyllis E. Olson | p. 25
The Making of an Amati Viol
Burritt Miller | p. 44
Finding out the True Identity of the Castagneri Viol: A Detective Story
Myrna Herzog | p. 60
Thomas Morley's Fantasia, Il Doloroso: An Analysis
Gordon Sandford | p. 74
Recent Research on the Viol
Ian Woodfield | p. 81
Reviews | p. 84
Contributor Profiles | p. 101
Volume 32, 1995 (View)
Donald Warnock: Interviews and Reminiscences
Kathy Benforado | p. 8
Where Were the Women before 1800?
Patrice Connelly | p. 34
Recent Research on the Viol
Ian Woodfield | p. 41
Conference Reports:
The Fantasia in England from Alfonso Ferrabosco II to Henry Purcell
Ruby Reid Thompson | p. 44
Two French Colloques devoted to the Viol
Stuart Cheney | p. 50
Reviews | p. 58
Corrigenda | p. 84
Contributor Profiles | p. 86
Volume 33, 1996 (View)
A Tribute to Elizabeth Cowling
Martha Bishop | p. 10
The Use of Motivic and Thematic Material in the Music of Tobias Hume
Sterling Scott Jones | p. 15
The Viol in Bach's Passions: A Performer's Notes
Myrna Herzog | p. 30
Gender, Class, and Eighteenth-Century French Music: Barthelmy de Caix's
Six Sonatas for Two Unaccompanied Pardessus de Viole, Part I
Tina Chancey | p. 47
Recent Research on the Viol
Ian Woodfield | p. 79
Reviews | p. 82
Contributor Profiles | p. 94
Volume 34, 1997 (View)
Interview with Sydney Beck
Alison Fowle | p. 5
Gender, Class, and Eighteenth-Century French Music: Barthelmy de Caix's
Six Sonatas for Two Unaccompanied Pardessus de Viole, Part II
Tina Chancey | p. 16
Ornamentation in English Lyra Viol Music, Part I: Slurs, Juts, Thumps,
and Other "Graces" for the bow
Mary Cyr | p. 48
The Archetype of Johann Sebastian Bach's Chorale Setting Nun Komm,
der Heiden Heiland (BWV 660): A Composition with Viola da Gamba?
R. Bruggaier, tr. Roland Hutchinson | p. 67
Recent Research on the Viol
Ian Woodfield | p. 75
Reviews | p. 77
Contributor Profiles | p. 103
Volume 35, 1998 (View)
An Interview with Dick Bodig
Phyllis Olson | p. 6
Ornamentation in English Lyra Viol Music, Part II: Shakes, Relishes,
Falls, and Other "Graces" for the Left Hand
Mary Cyr | p. 16
Ludwig Christian Hesse and the Berlin Virtuoso Style
Michael O'Loghlin | p. 35
Recent Research on the Viol
Ian Woodfield | p. 74
Reviews | p. 76
Contributor Profiles | p. 92
Volume 36, 1999 (View)
The Groundbreaking Treatise of Christopher Simpson
Ted Conner | p. 5
The Early History and use of the G Violone
Joëlle Morton | p. 40
Recent Research on the Viol
Ian Woodfield | p. 67
Reviews | p. 69
Contributor Profiles | p. 95
Volume 37, 2000 (View)
Re-examining the Pardessus de Viole and its Literature, Part I:
Introduction and Methods
Richard Sutcliffe | p. 5
Viols in Japan in the Sixteenth and Early Seventeenth Centuries
Yukimi Kambe | p. 31
Research Report: Conferences in Magnano and Edinburgh
Thomas G. MacCracken | p. 68
Recent Research on the Viol
Ian Woodfield | p. 84
Correspondence | p. 90
Contributor Profiles | p. 93
Volume 38, 2001 (View)
The Sizes and Tunings of Early Viols:
Some Questions (and a Few Answers)
Herbert W. Myers | p. 5
Re-examining the Pardessus de Viole and its Literature, Part II:
Repertoire from 1722 to c. 1790
Richard Sutcliffe | p. 27
Recent Research on the Viol
Ian Woodfield | p. 78
Reviews | p. 81
Contributor Profiles | p. 98
Volume 39, 2002 (View)
Musical-Rhetorical Gestures in the Fantasias of Henry Purcell
Ted Conner | p. 5
Between Fantazy and Aire: The "Active Braine" of William Lawes
Mark Davenport | p. 49
Research Report: Double Bass Session at the IMS Conference in Leuven,
Belgium
Marc Vanscheeuwijck | p. 76
Recent Research on the Viol
Ian Woodfield | p. 83
Reviews | p. 85
Correspondence | p. 106
Contributor Profiles | p. 113
Volume 40, 2003 (View)
Is the Quinton a Viol? A Puzzle Unraveled
Myrna Herzog | p. 5
The Richard Meares Viol in the Metropolitan Museum of Art Re-evaluated
Benjamin Hebbert | p. 36
Recent Research on the Viol
Ian Woodfield | p. 49
Reviews | p. 51
Correspondence | p. 75
Contributor Profiles | p. 80
Volume 41, 2004 (View)
William Young's Fantasias a3, by Another Name, Still Sound as Sweet
Stephen Morris | p. 5
Harmonic Excursions in the English Early-Seventeenth-Century Four-part Fantasias of
Alfonso Ferrabosco the Younger
Bruce Bellingham | p. 36
Recent Research on the Viol
Ian Woodfield | p. 66
Reviews | p. 69
Contributor Profiles | p. 92
Volume 42, 2005 (View)
Samuel Pepys and the Viol
Martha Davidson | p. 5
Structural Ornaments: Transcending Binaries in Elizabethan and Jacobean Music
Ted Conner | p. 19
Recent Research on the Viol
Ian Woodfield | p. 76
Reviews | p. 80
Contributor Profiles | p. 99
Volume 43, 2006 (View)
Forqueray Pieces de Viole (1747): A Rich Source of Mid-Eighteenth-Century
French String Technique
Lucy Robinson | p. 5
"Let Them Be Lusty, Smart-Speaking Viols": William Lawes and
the Lyra Viol Trio
John Cunningham | p. 32
Recent Research on the Viol
Ian Woodfield | p. 69
Reviews | p. 72
Contributor Profiles | p. 88
Volume 44, 2007-8 (View)
A Portrait of the Musician Marin Marais by Jean Dieu dit Saint-Jean
in the Museum in the Chateau of Blois, trans. Robert A. Green
Jonathan Dunford | p. 5
Renaissance Viol Tunings: A Reconsideration
Herbert W. Myers | p. 13
Recent Research on the Viol
Ian Woodfield | p. 41
Reviews | p. 45
Contributor Profiles | p. 57
Volume 45, 2009-10 (View)
Toronto's Hart House Viols
Joëlle Morton | p. 5
Twin Viols: Evidence for Serial Production in the Workshop of
Nicolas Bertrand
Thomas Fitz-Hugh Mace | p. 77
Recent Research on the Viol
Ian Woodfield | p. 122
Reviews | p. 125
Contributor Profiles | p. 135