 Journal of the VdGSA
Tables of Contents
Volume 1, 1964
The Bow in Medieval Music
A Manuscript Collection of Viola da Gamba Music
An Inquiry on the Evolution of the Viol
Review of Modern Methods for the Viola da Gamba
The "Lordly Viol" in the Literature of the English Renaissance
Building a Viol: Project or Pipe Dream? List of Modern Publications for the Viols | p. 70 Volume 2, 1965
The Renaissance Sources of the Viol
Trichet's Treatise: A 17th Century Description of the Viols
The Viol in France
New York Pro Musica and the Soviet Union: Personal Observations
The Alto Viol
Stearns Collection of Musical Instruments
Review of Interpretations of Early Music by Robert Donnington
The Breathing House
Explanation of the Shape, the Tuning and Use of the Lyra Viol by Marin
Mersenne Catalog of Viol Music | p. 58 Volume 3, 1966
Marin Marais as Editor of His Own Compositions
An 18th Century Treatise on the Viol by Etienne Loulie
Solo and Duet Viol Music by Charles Dolle
Musical Instrument Collection of Boston
Slur Marks in Bach's Cello Suites
Manchester Lyra Viol Tablature (Further information)
Pardessus de Viol or Chanterelle
Review of Instrumental Music Printed before 1600 by Howard Mayer Brown Two Old Viols | p. 69
A Viol Discography Volume 4, 1967
Diego Ortiz' Tratado de Glosas
Transcription as an Element in Performance Practice
Viols and Violins in the Epitome Musical of Philibert Jambe de Fer
On Captain Hume's "Wrong" Notes
George Herbert: Priest, Poet, Musician
Nomenclature of the Bowed Instruments by Fritz Ernst
A Viol Discography: 1967 Supplement
Doctoral Dissertation on the Viol Volume 5, 1968
Tobias Hume's First Part of Ayres, Chapter 1
Music for the Lyra Viols: Printed Sources
Problems of Melodic Ornamentation in French Viol Music
Consorts: Whole or Broken
Were the Early Violoncello Sonatas Transcriptions
Portraits of our Members
Museum Pages: Two Old Bass Viols
A Viol Discography: 1968 Supplement
Reviews Volume 6, 1969
Putting Simpson into Practice
Tobias Hume's First Part of Ayres, Chapter II
The First Viol Tutor: Hans Gerle's Musica Teutsch
Up with the Trill!
The Crwth Portraits of our Members | p. 60 Museum Pages: Two Old Bass Viols | p. 68 Reviews | p. 75 Volume 7, 1970
Jean Rousseau on the Mechanics of Viol Playing
History and Literature of the Viola d'Amore
Case for the Use of Vibrate on the Viol
Bowed String Instruments of the Basso Continuo ca. 1680-1752 inItaly and France
Tobias Hume's First Part of Ayres, Chapter III Portraits of our Members | p. 112 Museum Pages: A Gavinie Pardessus Viole | p. 116 Review of Working Plans for a Bass Viol | p. 120 Volume 8, 1971
Maugar's Response Faite a un Curieux sur la Sentiment de la
Musique d'Italie Reverberations on the Use of Vibrato on the Viol
Bowed String Instruments of the Basso Continuo (continued)
Tobias Hume's First Part of Ayres, Chapter III (continued) In Memoriam: George Glenn | p. 94
Viol Discography: Supplement Volume 9, 1972
Tenor I or Alto? Some thoughts on Instrumentation of the Consort of Viols
Tobias Hume's First Part of Ayres, Chapter IV: Summary and Conclusions
A Comparison of The Cries of London by Gibbons and Weelkes Portraits of Our Members | p. 55 Reviews | p. 59 Volume 10, 1973
Karl Friedrich Abel: Some Contemporary Impressions
Hubert Le Blanc's Defense de la viole
Henry Blakiston Who? Or some Early Instruments at the Library of Congress
Traditions of Solo Viol Playing in France and the Music of Morel
Diego Ortiz's Principles of Ornamentation for the viol: Tratado di glosas Portraits of Our Members | p. 97 Correspondence | p. 98 Volume 11, 1974
The Viol in Baroque Paintings and Drawings
Hubert Le Blanc's Defense de la viole (continued)
Antique Viols and Related Instruments from the Caldwell Collection
Fray Juan Bermudo's Methods of Measuring Frets
Captain Hume's Invention for Two to Play Upon One Viole Volume 12, 1975
Solo Music for the Treble Viol
Commentary on Le Blanc's Defense de la viole
An Essay in Consort Intrepretation
Danoville's Treatise on Viol Playing
Abraham Prescott and his Bass Viols
An Interview with August Wenzinger Volume 13, 1976
Consort Song and Verse Anthem: A Few Performance Problems
A Letter from J.B.A. Forqueray
Writings on the Viol by Dubuisson, DeMachy, Roland Marais and Etienne Loulie
The Well Figured Viol Reviews | p. 62 Correspondence | p. 66 Volume 14, 1977
Jean Rousseau and Ornamentation in French Viol Music
A "Tempest in a Glass of Water" or a Conflict of Esthetic Attitudes
Bows and Bowing
Silvestro Ganassi's Regola Rubertina: Revelations and Questions Reviews | p. 71 Correspondence | p. 75 Volume 15, 1978
Viola in Seventeen-Century Flemish Paintings: The Iconography of Music, Indoors and Out
Monteclair, the Viol Player's Composer
Antique Bowed Instruments in the Dolmetsch Collection
Violin Versus Viol in English Fantasia-Suites
Change and Tradition in the Early In Nomine Reviews | p. 113 Volume 16, 1979
On the Use of Slurs in Enlish Viol Music
Possibilities for Mean-Tone Temperament Playing on Viols
Music for the Dessus and Pardessus de Violes, Published in France, ca. 1650-1770
Viol Bibliography Reviews | p. 72 Volume 17, 1980
Telemann's Use of the Viol as a Solo or Concertant Instrument
Hubert Le Blanc's Concept of Viol Sound
Saraband: Speed, Steps, and Stress
The Lyra Viol in Consort: An Example from Uppsala, Universitetsbiblioteket Imhs 4:3
The Decline of the Viol in the Seventeeth-Century England: Some Observations Reviews | p. 70 Contributor Profiles | p. 87 Volume 18, 1981 Eloise Glenn Lowry | p. 5
In Memoriam: Gordon J. Kinney
Ganassi's Regola Rubertina
Charles Dolle's First Work for Pardessus de Viole
The French Viol School before 1650
The Music of Johann Schenck: Some Observations Reviews | p. 121 Contributor Profiles | p. 128 Volume 19, 1982
The Musical Circle of Anthony Wood in Oxford Dancing the Commonwealth and Restoration
Rebec in French Literary Sources from 1379 to 1780
Ganassi's Regola Rubertina (conclusion) Tribute to Karl Neumann | p. 164 Contributor Profiles | p. 167 Volume 20, 1983
On Letting the Music Speak for Itself: Some Reflections on Musicology and Performance
Purcell's Clock Tempos and the Fantasias
A Translation of the Preface to Terpsichore of Michael Praetorius
Grounds for Putting Simpson into Practice Reviews | p. 68 Contributor Profiles | p. 81 Volume 21, 1984
North Italian Viols at the Shrine to Music Musuem
Sir Peter Leycester's Book on Music
Henry Butler and the Early Viol Sonata
Christopher Simpson's Little Consort
Dudley Ryer 1715-1716: Extracts from the Diary of a Student Viol Player Reviews | p. 69 Contributors | p. 75 Volume 22, 1985
In Memoriam: Oliver Wendell Margrave
New Sources for the Study of Portuguese Seventeenth-Century Consort Music
The Lyffe and Times of a Viole Composer (Late 20th c.)
Per Norgard's Works for Early Music Ensemble
The French Viol School: The Repertory from 1650 to Saint-Colombe (about 1680) Reviews | p. 56 Contributor Profiles | p. 69 Volume 23, 1986
Lyra Viol Accompaniment in Robert Jone's Second Booke of Songs and Ayres (1601)
Paul de wit: Reviver of the Viols
Catalog of the European Musical Instruments n the Ueno Gakuen Collection
John Ward of Canterbury
The Treble Viol in 17th-century France and the Origins of the Pardessus de Viole
A Composer Index for Gordon Dodd's Thematic Index
German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 1-13 Reviews | p. 93 Contributor Profiles | p. 117 Volume 24, 1987
Leo M. Traynor
Aethestics of the French Solo Viol Repertory, 1650-1680
Rhetoric and Eloquence: Dramatic Expression in Marin Marais' Pieces de viole
German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 13-23 Reviews | p. 65 Contributor Profiles | p. 70 Volume 25, 1988
The American Society of Ancient Instruments
German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 29-52
Recent Research on the Viol Reviews | p. 57 Contributor Profiles | p. 65 Volume 26, 1989
German Literature for Viola da Gamba in the 16th and 17th Centuries by Alfred Einstein, pp. 44-59
Recent Research on the Viol Reviews | p. 87 Contributor Profiles | p. 109 Volume 27, 1990
A Summary of Dubuisson's Life and Sources
New Documents on the Sixteenth-Century Venetian Viol Maker
Catalogue of the European Musical Instruments in the Ueno Gakuen Collection
Recent Research on the Viol Reviews | p. 43 New Grove Index for Viol Players | p. 55 Contributor Profiles | p. 77 Volume 28, 1991
Giovanni Valentini's In te Domine speravi and the Demise of the Viola Bastarda
The Fretless Approach to Gamba Playing
Recent Research on the Viol Reviews | p. 53 Contributor Profiles | p. 69 Volume 29, 1992
Martin Peerson's Private Musicke German Literature for Viola da Gamba in the 16th and 17th Centuries: Annotations by Alfred Einstein | p. 27
Recent Research on the Viol Reviews | p. 68 Contributor Profiles | p. 78 Volume 30, 1993
A Tribute to Howard Brown
A Selective Bibliography on Howard Mayer Brown's Books and Articles Pertaining to the Viol
A History of the Viola da Gamba Society of America: Background and Founding
On Playing Continuo
Ann Ford: An Eighteenth-Century Portrait
Recent Research on the Viol Reviews | p. 70 Contributor Profiles| p. 74 Volume 31, 1994
Tempo Indications in Purcell's Fantasias and Sonatas: A Performer's
Guide to New and Conflicting Signatures
A History of the Viola da Gamba of America, Part III: A Banner Year
The Making of an Amati Viol
Finding out the True Identity of the Castagneri Viol: A Detective Story
Thomas Morley's Fantasia, Il Doloroso: An Analysis
Recent Research on the Viol Reviews | p. 84 Contributor Profiles | p. 101 Volume 32, 1995
Donald Warnock: Interviews and Reminiscences
Where Were the Women before 1800?
Recent Research on the Viol
Conference Reports:
The Fantasia in England from Alfonso Ferrabosco II to Henry Purcell
Two French Colloques devoted to the Viol Reviews | p. 58 Corrigenda | p. 84 Contributor Profiles | p. 86 Volume 33, 1996
A Tribute to Elizabeth Cowling
The Use of Motivic and Thematic Material in the Music of Tobias Hume
The Viol in Bach's Passions: A Performer's Notes
Gender, Class, and Eighteenth-Century French Music: Barthelmy de Caix's
Six Sonatas for Two Unaccompanied Pardessus de Viole, Part I
Recent Research on the Viol Reviews | p. 82 Contributor Profiles | p. 94 Volume 34, 1997
Interview with Sydney Beck
Gender, Class, and Eighteenth-Century French Music: Barthelmy de Caix's
Six Sonatas for Two Unaccompanied Pardessus de Viole, Part II
Ornamentation in English Lyra Viol Music, Part I: Slurs, Juts, Thumps,
and Other "Graces" for the bow
The Archetype of Johann Sebastian Bach's Chorale Setting Nun Komm,
der Heiden Heiland (BWV 660): A Composition with Viola da Gamba?
Recent Research on the Viol Reviews | p. 77 Contributor Profiles | p. 103 Volume 35, 1998
An Interview with Dick Bodig
Ornamentation in English Lyra Viol Music, Part II: Shakes, Relishes,
Falls, and Other "Graces" for the Left Hand
Ludwig Christian Hesse and the Berlin Virtuoso Style
Recent Research on the Viol Reviews | p. 76 Contributor Profiles | p. 92 Volume 36, 1999
The Groundbreaking Treatise of Christopher Simpson
The Early History and use of the G Violone
Recent Research on the Viol Reviews | p. 69 Contributor Profiles | p. 95 Volume 37, 2000
Re-examining the Pardessus de Viole and its Literature, Part I:
Introduction and Methods
Viols in Japan in the Sixteenth and Early Seventeenth Centuries
Research Report: Conferences in Magnano and Edinburgh
Recent Research on the Viol Correspondence | p. 90 Contributor Profiles | p. 93 Volume 38, 2001
The Sizes and Tunings of Early Viols:
Some Questions (and a Few Answers)
Re-examining the Pardessus de Viole and its Literature, Part II:
Repertoire from 1722 to c. 1790
Recent Research on the Viol Reviews | p. 81 Contributor Profiles | p. 98 Volume 39, 2002
Musical-Rhetorical Gestures in the Fantasias of Henry Purcell
Between Fantazy and Aire: The "Active Braine" of William Lawes
Research Report: Double Bass Session at the IMS Conference in Leuven,
Belgium
Recent Research on the Viol Reviews | p. 85 Correspondence | p. 106 Contributor Profiles | p. 113
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