Fantasia 16 (Meyer no. 1)
Wide variety of styles, textures, speeds
- rare use of madrigal texture of sustained notes in middle, acts as bridge between two sections
- appears as 1st of Ferrabosco series in 6 Oxford Mss.
View the complete analysis here *.
Listen to examples† of the motives:
| Motive 1b: | ![]() | mp3 | wav | Real Audio | wma |
| Motive 2a: | ![]() | mp3 | wav | Real Audio | wma |
| Motives 3a,3b: | ![]() | mp3 | wav | Real Audio | wma |
| Motive 4a: | ![]() | mp3 | wav | Real Audio | wma |
| Motive 6a: | ![]() | mp3 | wav | Real Audio | wma |
| Motive 6b: | ![]() | mp3 | wav | Real Audio | wma |
* You will need Adobe Acrobat Reader installed on your computer to view the analysis.
In addition, you will need JavaScript and popups enabled for this link to function.
If you prefer, you can click here to see the analysis in this browser window.
†Sound clips are from "Alfonso Ferrabosco II: Four-Part Fantasias". CD Recording, Viola da Gamba Society -- New England, 25th Anniversary Project, Sarah Mead, Producer (2002). Reproduced by permission.
†Sound clips are from "Alfonso Ferrabosco II: Four-Part Fantasias". CD Recording, Viola da Gamba Society -- New England, 25th Anniversary Project, Sarah Mead, Producer (2002). Reproduced by permission.





